兄弟i情深的经典语录

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兄弟i情深的经典语录

兄弟i情深的经典语句

1.It is what a man must do. 这是一个男子汉所应该做的。

2.I would rather be exact. Then when luck comes you are ready.
3.All my life the early sun has hurt my eyes, he thought. Yet they are still good. 生命中的旭阳刺痛了我的眼睛，他想。（据本人理解应为指早年初恋女友，那个护士的背叛）呵呵，还好这双眼睛现在还挺好。

4.My big fish must be somewhere. 一定有属於我的大鱼在什麽地方等著。
5.The water was a dark blue now, so dark that it was almost purple. 如今的海水是深蓝色的，深到几乎成了紫色。

6.Most people are heartless about turtles because a turtle’s heart will beat for hours after he has been cut up and butchered. But the old man thought, I have such a heart too and my feet and hands are like theirs. 大多数人对待（海龟、甲鱼之类的动物吧）很冷酷无情，因为海龟的心会在它身体被剖开和屠杀时，被时光打败。（此句照应“A man can be destroyed but not defeated ” “一个人可以被毁灭但是不能被打倒！”）
7.Now is no time to think of baseball, he thought. Now is the time to think of only one thing. That which I was born for. 现在没有时间考虑棒球了，他想。此刻是只能思考一件事情的时候。那是，我生来是为了什麽。
8.It was considered a virtue not to talk unnecessarily at sea and the old man had always considered it so and respected it. But now he said his thoughts aloud many times since there was no one that they could annoy. 可以想象品德在海里就不必要说起了，而老人以前却总是思考著，尊敬著它。可是现在，自从没有了一个可能打搅的人，他就把那些想法高声的说出来，好多次。
9.The tuna, the fishermen called all the fish of that species tuna and only distinguished among them by their proper names when they came to sell them or to trade them for bait, were down again.
（金枪鱼，渔人在售卖它们或者交易他们用作诱饵时，……）
10.He felt no strain nor weight and he held the line lightly. Then it came again. This time it was a tentative pull, not-solid nor heavy, and he knew exactly what it was. 他感觉没有什麽拉力和重量，而轻轻的抓住鱼线。之后它（指大鱼）又来了。这次它仅仅拉了一会儿，不沉也不重，而他已经清楚的知道那是什麽鱼了.
11.If you said a good thing, it might not happen. 如果你说出了一件好的事情，那么那件好事可能就会不出现了。（大概可以理解为“天机不可泄露”）

12.What I will do if he decides to go down, I don’t know. What I’ll do if he sounds and dies I don’t know. But I ‘ll do something. There are plenty of things I can do. 我不知道，如果他下来或者如果他倒地一声死了，我要怎么办。但是我知道，我会做一些事情。还有很多东西我可以做。
13.Then he looked behind him and saw that no land was visible. That makes no difference, he thought. 然后他望向背后，却发现，没有一块可以看见的陆地。他想，海洋没有制造什麽差异，跟之前没有什麽区别。

14.The position actually was only somewhat less intolerable; but he thought of it as almost comfortable. 实际上的方位只能稍微带给人少许无法忍受的感觉，但他几乎想象这是一件舒适的事情。

15.Then he thought, think of it always. Think of what you are doing. You must do nothing stupid.
Then he said aloud, “I wish I had the boy. To help me and to see this.” 之后他总是想著，思考著这件事。思考你在干什麽。你不能做任何愚蠢的事情。然后他大声的说：“我希望身边有个男孩，可以帮助我，还有可以看到这。”

16.What a great fish he is and what he will bring in the market if the flesh is good. He took the bait like a male and he pulls like a male and his fight has no panic in it. I wonder if he has any plans or if he is just as desperate as I am? 这是一个多么庞大的鱼，如果到时候还新鲜的话，他就拿到市场卖了。他像一个男子汉那样，拿著诱饵还有拉著线，无畏的搏斗著。我想知道，他是否有任何的安排，或者，他只是像我一样，绝望了。

17.He was beautiful, the old man remembered, and he had stayed. 他很美丽，老人回忆著，还有他以前曾经逗留过。

18.Perhaps I should not have been a fisherman, he thought. But that was the thing that I was born for. 或许我不应该成为一个渔夫，他想。但是那是我生来的源由。

19.“ Fish,” he said softly, aloud, “ I ‘ll stay with you until I am dead.” “鱼，”他柔和地说著，却很响亮 ，“我会一直陪伴你直至我死去。”

20.He could feel the steady hard pull of the line and his left hand was cramped. It drew up tight on the heavy cord and he looked at it in disgust.
“What kind of a hand is that,” he said. “Cramp then if you want. Make yourself into a claw. It will do you no good.” 他能感觉到支架艰难的拉著，但是他的左手却被夹住了。它被沉重的绳索卷住了，老人嫌恶的看著左手。

21.There is no sense in being anything but practical though, he thought. 著没有了任何知觉……

22.I wish I could feed the fish, he thought. He is my brother. But I must kill him and keep strong to do it. Slowly and conscientiously he ate all of the wedge-shaped strips of fish. 我希望可以饲养这些鱼儿，他想著。他是我的兄弟。但是我必须杀掉他，还有保证强壮的身体来处理它。凭良心，他慢慢的吃掉了所有楔形的细长的鱼。
23.He looked across the sea and knew how alone he was now. But he could see the prisms in the deep dark water and the line stretching ahead and the strange undulation of the calm. The clouds were building up now for the trade wind and he looked ahead and saw a flight of wild ducks etching themselves against the sky over the water, the blurring, then etching again and he knew no man was ever alone on the sea. 他眺望着海面，知道他此刻是多么孤单。但是他可以看见在黑暗的深水里的棱镜和鱼线往前和那平静的波动。云朵现在贸易风，他朝前望去，看到一个飞行的野鸭在水面上的天空，模糊，然后蚀刻再次和他知道没有人是独自在海上。

24.I hate a cramp, he thought. It is a treachery of one’s own body. It is humiliating before others to have a diarrhoea from ptomaine poisoning or to vomit from. But a cramp, he thought of it as a calambre, humiliates oneself especially when one is alone. 我恨抽筋，他想。这是对自己身体的背叛行为。它是在别人面前丢脸由于食物中毒而腹泻或者呕吐。但是抽筋，他认为这是一个calambre侮辱自己，尤其是当一个人是孤单的。

25.If I were him I would put in everything now and go until something broke. But, thank God, they are not as intelligent as we who kill them; although they are more noble and more able. 如果我是他，我会竭尽所能去直到事情发生。但是，感谢上帝，他们是不是我们谁杀了他们的智能；虽然他们更高贵、更能。

26.I wonder why he jumped, the old man thought. He jumped almost as though to show me how big he was. I know now, anyway, he thought. I wish I could show him what sort of man I am. But then he would see the cramped hand. Let him think I am more man than I am and I will be so. I wish I was the fish, he thought, with everything he has against only my will and my intelligence.
我想知道为什么他跳了，老人想。他就好像让我看看他有多大。现在我知道，无论如何，他认为。我希望我也能让他看看我是什么样的人。然后他会看到这只抽筋的手。让他觉得我比我的人，我会这样。我希望我的鱼，他认为，他所做的一切对我的意志和我的智慧。
27.He was comfortable but suffering, although he did not admit the suffering at all. 他是舒适而痛苦，虽然他根本不承认是痛苦。

28.He commenced to say his prayers mechanically. Sometimes he would be so tired that he could not remember the prayer and then he would say them fast so that they would come automatically. 他机械地念起祈祷文。有时他会很累很累，他不记得祈祷，然后他会说他们很快，它们会自动。

29.I must save all my strength now. Christ, I did not know he was so big.
“I ‘ll kill him though,” he said. “ In all his greatness and his glory.
我眼下必须保存所有的精力。基督，我不知道他是如此之大。
“我会杀了他，”他说。“在他的伟大和荣耀。
30.Although it is unjust, he thought. But I will show him what a man can do and what a man endures. 然而这是不公平的，他想。但我会告诉他，什么可以做，什么人忍受。

31.The thousand times that he had proved it meant nothing. Now he was proving it again. Each time was a new time and he never thought about the past when he was doing it. 他证明了一千次这不意味着什么。现在他再次证明这。每一次都是一个新的时间，他从来没有想过去当他做了它。

32.Still I would rather be that beast down there in the darkness of the sea. 我还是情愿做那只待在黑暗的大海。

33.He did not truly feel good because the pain from the cord across his back had almost passed pain and gone into a dullness that he mistrusted. But I have had worse things than that, he thought. 他并不真的觉得好因为索勒在背上的疼痛几乎已经疼进入了一种使他不信任。但我有比这更糟糕的事情，他认为。

34.“The fish is my friend too,” he said aloud. “ I have never seen or heard of such a fish. But I must kill him. I am glad we do not have to try to kill the stars.” “这鱼是我的朋友，”他大声地说。“我从来没有见过或听说过这样的鱼。但我必须杀了他。我很高兴，我们不必去捕杀星星。”

35.Then he was sorry for the great fish that had nothing to eat and his determination to kill him never relaxed in his sorrow for him. How many people will he feed, he thought. But are they worthy to eat him? No, of course not. There is no one worthy of eating him from the manner of his behaviour and his great diginity. 然后他很同情那条大鱼，没有东西吃，他决心要杀死他从未放松他为他而悲伤。它能供多少人吃，他想。但他们配吃它吗？不，当然不是。没有人吃他从他的行为和他的伟大的尊严态度值得。
I do not understand these things, he thought. But it is good that we do not have to try to kill the sun or the moon or the stars. It is enough to live on the sea and kill our true brothers. 我不懂这些事，他认为。但它是好的，我们不必去弄死太阳或月亮或星星。它是足够的以海为生，杀死我们的真正的兄弟。

36. I’m clear enough in the head, he thought. Too clear. I am as clear as the stars that are my brothers. Still I must sleep. 我的头脑还足够能清醒，他想。我太清醒了，清晰到就像群星是我的兄弟。所以我仍然必须睡觉。

37. “ It is not bad,” he said. “ And pain does not matter to a man.” “那还不错，”他说，“并且，疼痛、伤痕对一个人来说不应该让其成为问题。”

38. Now I must convince him and then I must kill him. 此刻我必须使他信服，然后我定杀了他。

39. I must hold his pain where it is, he thought. Mine does not matter. I can control mine. But his pain could drive him mad. 我一定要把握住他伤口所在之处，他想。我的伤口不是问题，我可以控制住自己，但是他的伤口会让他发怒，失去理智。

40. Keep your head clear and know how to suffer like a man. 保持你头脑的清醒，并且懂得如何像一个男子汉那样承受痛苦。

41. Then the fish came alive, with his death in him, and rose high out of the water showing all his great length and width and all his power and his beauty. 然后鱼活了过来，他的死他，高高地冲出水面，展现出其巨大的长度和宽度，和他所有的力量和他的美。
只有这么多了

由白宇、朱一龙合作主演的镇魂正在热播的时候，又有一部相似剧情的《S.C.I.谜案集》开播了，根据原著粉的话来说，这部剧真的是高度还原了原著，但是就是这样一部网络剧，却并没有取得像镇魂一样的好成绩，这是为什么呢，下面咱们就来说说原因。

《镇魂》真的是很好看啊，小编这一段都在花痴白宇老师和朱一龙老师，火爆程度堪比现在热播的《扶摇》有过之而无不及。要说《镇魂》会大火真的是一是剧本好，二是朱一龙和白宇老师的精湛演技令人叹服，只是树大招风，最近的《镇魂》竟然被恶意举报了，为了不被封杀，镇魂女孩的解释是我们这是社会主义兄弟情，这个回复小编给打100分。

为了能够继续追，甚至有的粉丝说到《镇魂》让自己明白了兄弟姐妹的重要性，各种社会主义正能量，弘扬兄弟真情，为了留住《镇魂》，镇魂女孩比官方还要努力。《镇魂》的剧情紧凑，丝毫不拖泥带水，紧张的进展将观众也能够很好的带进去，再加上官方发糖，真的是架不住。这周的镇魂已经看完了，要问还看了什么？当然是预告啊，沈巍受伤吐血，澜澜陪同。话说镇魂官方真的是一点儿求生欲都没有，有前车之鉴被封杀，一点儿都不含蓄，万一有个万一，那么努力宣扬兄弟情正能量的镇魂女孩不都白忙活了。

相比之下，《S.C.I.谜案集》就有点略显不足，很多网友嚷嚷第一集就想弃剧。小编很是喜欢看这种悬疑片，但是《S.C.I.谜案集》真的是太拖沓了，做个铺垫做了好几集，再好性子的人看不到剧情的进展也是要弃剧了好吗。好多人表示忍着头皮看到第四集才开始进入佳境，渐渐的能看，渐渐的觉得不错。小编很是想说剧情是不错就是被电视剧给毁了，万事开头难，开头都没做好又怎么跟大热的《镇魂》。两部剧都是悬疑剧，再加上弘扬社会主义正能量和兄弟情，你更加喜欢哪部剧呢？

2020年2月22日，即明天，一个上十年兄弟的本命年生日。同为喜欢互相嘲讽戏谑的关系。文笔不佳，也不刻意煽情，确是一位真心朋友。希望祝他生日快乐，也祝看到的各位喜乐平安。

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大婊贝，今天是你的生日，今年亦是你的本命年。作为爸爸的我吼 在这里真心的祝福你生日快乐，愿你风华正茂，一路高歌！

借你生日，随上几句掏心肺话（正经脸）。人常说 时光荏苒 如白驹过隙 什么的偏不知其滋味。直至已是曲中人。回顾这七七八八年，想说这人来人往，车水马龙，微信加了删了好多人，置顶了也拉黑了些许人。老哥你是一直都在的（实际你比我小，让你占点便宜），是一位待我真的，甚至让我些许自愧不如的真心朋友，也是岁月大浪淘沙下的金友。至此感谢几处你奉献的感动。first，不管几点，特别强调晚上至凌晨，消息秒回，还要弹出，我怎么还不睡之类，却是自己貌似也没睡？ second 话说 亦是酒肉朋友，原是更胜星星月亮，诗词歌赋的？看来约过的饭总还是起作用的哈。the next 8月ex分手，也有了稍许感悟吧。值得与否在心中。相比恋爱，上十年的友情，更能带给我安心的感觉，看来陪伴确实是长情的告白，所以我等你的告白？

人生漫漫路，行驶的列车，上上下下的乘客，很高兴能与你同行。希望作为朋友的你没机会下我这趟。

“可以捉到一千磅的大鱼”
当他的大鱼被鲨鱼吃得仅剩下一副骨骼时，他自问：“可是，是什么把你打败的呢？”“什么也不是……是我走得太远啦。”老人勇敢地承认了自己的失败，却又绝对相信自我的力量。相信他纵然是失败依然勇敢无比，相信在精神上并没有败给鲨鱼，因为被消灭的是鲨鱼，而不是自己，正是基于对待失败的勇敢、毫不气馁的精神，桑提亚哥体会到：“一旦给打败，事情也就容易办了”。
“现在只要把船尽可能好好地、灵巧地开往自己的港口去。”
“上面是一面千窗百孔的帆，上面先后补上了一些面粉袋，如一面标志着被打败的旗帜，”
“这算什么，男子汉就得这样。”
“去他妈的什么运气，我要运气跟我走。”
。“海洋是仁慈的，十分美丽的，”最终给予了老人一条“比小船还长两英尺”的大马林鱼。
“什么是一个人能够办得到的”，“这一个总要去杀死那一个”，
“他扛着桅杆坐在那儿”，还有他睡觉的姿势，“两条胳膊直直地伸在外面，两只手心朝上，就这样瞅着了。”
人面对的两难结局,有人说他没打到鱼虽然是一副骨架却卖不了钱;有人说他打到鱼了虽然是一副骨架......
当然．最经典的好象还是公认的”梦见了狮子
1
The Old Man and the Sea is the most classic and concernful novel of Hemmingway's. Its compendious expression and exciting fighting narrative attracts numerous readers. The author repeatedly emphasized his customary key thoughts in the story: despairing courage, struggling on both physically and psychologically, and the hero's brave, glory and noble character.

One of the pivotal sentences, "a man can be destroyed but not defeated" draws our attention. This sentence is gorgeous in surface but a little doubtful in a certain angle. In the end of the story the old man told to the boy that he was a loser who beaten by the sharks. With his bloody hands and the skeleton of the fish, it was really difficult to judge that he was defeated or not. However, he was undoubtedly destroyed in the fighting at the hopeless sea. Therefore, the difference between "destroy" and "defeated" was just something untraceable. We are not expected to tell one word form another, but to feel the antinomy and contact of them.

This sentence from the old man was also a reflection of the author himself. Sometimes we may treat a novel as some individual and emotional words. The old man and the sea were the symbols of the author and his life and destiny. As we know, Hemingway suffered a lot from his broken life during two ruthless world wars. In his late years, he was a successful litterateur but also a disable old man. He ended up his life with suicide. It's too arbitrary to say he was defeated from his fate, and also too shallow to use the word "destroy" in his experiences.

In my opinion, the most splendid thing in Hemmingway and his the Old Man and the Sea is not the VICTORY OF DEFEAT, but the relationship between the two words "defeat" and "destroy" as well as the novel and the author.
2
I have read the American well-known Hemingway’s book ‘’ the old man and the sea’’, which came out in 1976. This is a true story about an old fisherman battling with a giant marlin in the sea.
The old fisherman, who names Santiago, have not caught any fish for 84 days , other fishermen looks down him as a loser, but he never gives up. Finally 85th days, he fishes a big marlin fish which is bigger than his skiff and over fifteen hundred pounds. The fish begins to tow him farther and farther out to the sea, but he still holds onto the line, even though a hand is cramping, he don’t give up it. After two days and two nights’ crucifixion, at the end he kills the fish, and attaches the marlin to the outside of the skiff with rope, it’s blood leaves a trail in the water and attracts sharks in return journey, he comes to strike back against and uses to all tools which are harpoon, knife, and quant . When Santiago returns to harbor is left over with the fish head fishtail and one backbone. Although the flesh of fish has been got rid of all quilt barking, what also has no way to devastate his brave will. When he lay down on the bed at home, he makes a usual dream of lions at play on the beaches of Africa.
This story happened in 1940th near a Gulf Stream in Cuba. The main character Santiago is an old man, who fishes alone in a skiff in the Gulf Stream and lives a small village. He is characterized as someone struggling against defeat. The second character Manolin is a young boy whom Santiago teaches to fish. The litter boy is his loyal friend. Language is great simplicity and power. The theme of courage in the face of defeat, of personal triumph won from loss. It is a song of praise of heroism.
The Author, Ernest Miller Hemingway is a famous writer in the literary world. ‘’The old man and the sea’’ was written in 1952, and it is one of Hemingway’s most enduring works .It won the 1954 Nobel Prize for Literature. The author wants to told readers ,you will be supposed to like this old person same mind lofty aspiration, and will even better pursue even better, the bigger goal, don’t easy give up your goal in your life.
The novel shows a view about struggle of life, even in the face of nature can’t be conquered, but still can be moral victory. Perhaps the result of a failure, but I n the struggle of process, the reader can see how a person become an indomitable spirit of man. I like the main character Santiago and the classic saying ‘’But man is not made for defeat. A man can be destroyed but not defeated’’, because this is Santiago’s faith of life, and the human will not fail also, the enterprise spirit of a carols. It is encouraging me to face up to life with smiles no matter what happens. It's a simple story, but offers the reader much to think about without lapsing into the didactic. I am strongly recommend that book.
3
THE OLD MAN AND THE SEA
Ernest Hemingway
New York: Charles Scribner�s Sons, 1952
127 pages.
Comments by Bob Corbett
January 2006
Once again I return to the work of Ernest Hemingway after an almost 50 year hiatus. The Old Man and the Sea is a magnificent story. At one level it is the tale of a man and a fish, at another, a story of man versus nature, at yet another, the story of the culture of manhood, courage, bravery in the face of existence, and at yet another a history of what life was like when individuals were more the central actors on the human stage and not groups or organizations.
At the most basic level the very elderly fisherman, Santiago, goes out in his small fishing boat after 84 days without hooking a decent fish. He goes far out, and hooks a gigantic 18 foot long sword fish. The battle then begins, and the fish drags the small boat and Santiago far out to sea. For two days they battle, and Santiago wins that battle, but then loses the great fish on the way home to the scavenger sharks who find him easy prey.
Hemingway celebrates the courage and raw guts of this old man, even recounting a time in Casablanca when he had spent an entire day in an arm wrestling match with a much larger man in a seaside tavern. Hemingway celebrates a concept of humans as beings who go it alone, fierce, brave, courageous without even thinking about it, oozing strength from the nature of the best of the species.
The story is told with incredible economy of words and description, yet nothing is sacrificed which drives home the power and inner strength of this man, who just takes it as what he does, what it is to be a serious fisherman.
Hemingway�s world is not my world. I am no Santiago, no macho man. And the culture of today has little place left for the radical individual whom Hemingway celebrates and Santiago portrays. Yet the power of Hemingway�s telling is such that I couldn�t help but be on Santiago�s side, to admire him, to ache with his loss in the end to forces greater than he.
There is a side tale as well. This great individual, the man who stands alone, is not alone completely by choice. He has developed a friendship, a working relationship, a love with a young boy who began fishing with him when the boy was only five. Now the boy has moved on to another boat, a more successful one, at his parents� behest, but he pines to work with Santiago, and when the battle with the great fish has been engaged, Santiago pleads over and over and over: �I wish the boy were here.�
Like many readers who might come upon this novel today, I live a life of citified ease and comfort. A life far removed from harsh confrontations with nature. But Hemingway forces me to remember and acknowledge the individual, the struggle for the most basic existence, the battle with nature for survival itself. But most importantly he makes one acknowledge the importance of the individual and the magnificence of courage, skill, art and endurance.
5
The Old Man and the Sea
Simon & Schuster
The Old Man and the Sea was an enormous success for Ernest Hemingway when it was published in 1952. At first glance, the story appears to be an extremely simple story of an old Cuban fisherman (Santiago), who catches an enormously large fish then loses it again. But, there's much more to the story than that...
The Old Man and the Sea helped to revive Hemingway's reputation as a writer of great acclaim. This slim volume also contributed enormously to Hemingway's recognition as a world-renowned writer--with the award of the Nobel Prize for literature. The popular reception of the novel comes from its part-parable, part-eulogy style--recollecting a by-gone age in this spiritual quest for discovery. Touching and powerful in turns, the story is told in Hemingway's simple, brittle style. The book reaches out to a very human need--for stability and certainty.
Overview: The Old Man and the Sea
Santiago is an old man, and many are starting to think that he can no longer fish. He has gone for many months without landing any kind of fish to speak of; and his apprentice, a young man named Manolin, has gone to work for a more prosperous boat. The fisherman sets out into the open sea and goes a little further out than he normally would in his desperation to catch a fish. At noon, a big Marlin takes hold of one of the lines, but the fish is far too big for him to handle.
Hemingway pays great attention to the skill and dexterity that Santiago uses in coping with the fish. Santiago lets the fish have enough line, so that it won't break his pole; but he and his boat are dragged out to sea for three days. Finally, the fish--an enormous and worthy opponent--grows tired; and Santiago kills it. Even this final victory does not end the Santiago's journey; he is a still far, far out to sea. To make matters worse, Santiago drags the Marlin behind the boat (and the blood from the dead fish attracts sharks).
Santiago does his best to beat the sharks away, but his efforts are not enough. The sharks eat the flesh off the Marlin, and Santiago is left with only the bones. Santiago gets back to shore--weary and tired--with nothing to show for his pains but the skeletal remains of a large Marlin. Even with just the bare remains of the fish, the experience has changed him, and altered the perception others have of him. Manolin wakes him the morning after his return and suggests that they once more fish together.
6
I was very surprised when I finally tried to read this, and discovered that it bored the living crap out of me. I just couldn't get into it, I don't know why, maybe it was just my mood or something....? I mean, I do like Hemingway. I love the sea, and baseball. I am relatively fond of both old men and little boys (not like that, you fool).... and this is supposed to be really terrific and all, but I just.... I mean, I could've finished it of course, it's short, and it wouldn't have been like torture at all, but I just wasn't feeling it.... so I stopped.
Sometimes I think about making an "okay-so-does-this-mean-i'm-stupid-or-something?" shelf, but my ideological opposition to the idea has overridden that impulse every time.... so far.