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英文电影海上钢琴师的经典语录
All that city you just couldn’t see an end to it. 城市那么大，看不到尽头。
The end? Please? Can you please just show me where it ends? 尽头在哪里？可以给我看看尽头么？
It was all very final on that gangway and I was grant too in my over coat. I cut quite a figure, and I was getting off, guaranteed. That wasn’t the problem. 当年，我踏上跳板，不觉得困难。我穿上大衣，很神气，自觉一表人才，有决心，有把握，有信心。
It wasn’t what I saw that stopped me, Max, it was what I didn’t see。 Do you understand that? What I didn’t see. 我停下来，不是因为所见，是因为所不见。你明不明白？是因为看不见的东西。
In all that sprawling city, there was everything except an end. There was no end. 连绵不绝的城市，什么都有，除了尽头，没有尽头。
What I did not see was where the whole thing came to an end, the end of the world. 我看不见城市的尽头，我需要看见世界尽头。
Take a piano, hmm? The keys begin, the keys end. You know there are 88 of them. Nobody can tell you different. They are not infinite. 拿钢琴来说，键盘有始也有终。有88个键，错不了，并不是无限的。
You are infinite. And on those keys, the music that you can make is infinite. 音乐是无限的。在琴键上，奏出无限的音乐。 I like that. That I can live by. 我喜欢那样，我应付得来。
You get me up on that gangway and you rill out in front of me a keyboard of millions of keys, Millions and billions of keys that never end. 走过跳板，前面的键盘有无数的琴键。
That’s the truth, Max, they never end. That keyboard is infinite. 事实如此，无穷无尽，键盘无限大。
And if that keyboard is infinite, then on that keyboard there is no music you can play. 无限大的键盘，怎奏得出音乐？
You are sitting on the wrong bench. That’s God’s piano. 不是给凡人奏的，是给上帝奏的。
Christ! Did you see the streets? Just the street-----there were thousands of them. 唉！只是街道，已经好几千条。
How do you do it down there? How do you choose just one? 上了岸，何去何从？
One woman, one house, one piece of land to call your own, one landscape to look at, one way to die. All that world just weighing down on you. You don’t even know where it comes to an end. 爱一个女人，住一间屋子，买一块地，望一个景，走一条死路。太多选择，我无所适从，漫无止境，茫茫无际。
Aren’t youu ever just scared of breaking apart at the thought of it? The enormity of it. 思前想后，你不怕精神崩溃？那样的日子怎么过？
I was born on this ship, and the world passed me by. 我生于船，长与船，世界千变万化。
But 2000 people at a time, and there were wishes here. 这艘船每次只载客两千，既载人，有载梦想。
But never more than fit between prow and stern. 但范围离不开船头与船尾之间。
You played put your happiness, but on a piano that was not infinite! I learned to live that way. 在有限的钢琴上，我自得其乐，我过惯那样的日子。
Land? Land is a ship too big for me. It’s a woman too beautiful, it’s a voyage too long, a perfume too strong, it’s music I don’t know how to make. 陆地？对我来说，陆地是艘太大的船，是位太美的美女。是条太长的航程，是瓶太香的香水，是篇无从弹奏得乐章。
I can never get off this ship. I’m blessed I can step off my life. 我没法舍弃这艘船，我宁可舍弃自己的生命。
After all, I don’t exist for anyone. 反正，世间没人记得我。
You are the exception, Max. You are the only one who knows I’m here. You are a minority, and you’d better get used of it. 除了你，Max，只有你知道我在这里，你属于少数，你最好习惯一下。
Forgive me, my friend, but I’m not getting off. 朋友，原谅我。我不下船了。 Hey，Max! Imagine the music I could play with two right arms. Hope I can find a piano up there. 两条右臂能弹出什么音乐? 希望天堂有钢琴
够吗。。。。。。。
英文电影海上钢琴师的经典语句
我们笑着说再见，却深知再见遥遥无期。
连绵不绝的城市什么都有，除了尽头，没有尽头。
陆上的人喜欢寻根问底，虚度了大好光阴。冬天忧虑夏天的姗姗来迟，夏天忧虑冬天的将至。所以他们不停四处游走，追求一个遥不可及的四季如夏的地方，然而我并不羡慕？
宁愿一生孤独，我不愿随波逐流。
只要你有一个好故事和一个可以倾诉的人，你就永远不会完蛋。
别人刻意隐瞒的事，有时候并不是想伤害你，往往他们瞒住你反而是为了保护你，所以最好不要深究。
这世界太多的选择，太复杂的判断，精神会崩溃的。
阻止了我的脚步的，并不是我所看见的东西，而是我所无法看见的那些东西。
这些年来，仿佛你一直在身旁，爱的越深，就好像没有爱一样
All that city. You just couldn’t see the end to it. The end? Please? You please just show me where it ends? It was all very fine on that gangway. And I was grand too, in my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There was no problem. It wasn’t what I saw that stopped me, Max. It was what I didn’t see. You understand that? What I didn’t see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end. The end of the world... Take a piano. The keys begin, the keys end. You know there are eighty-eight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by. You get me up on that gangway and you’re rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end, and that’s the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You’re sitting on the wrong bench. That’s God’s piano. Christ! Did, did you see the streets? Just the streets… There were thousands of them! And how do you do it down there? How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die... All that world is weighing down on me, you don’t even know where it comes to an end, and aren’t you ever just scared of breaking apart at the thought of it? The enormity of living it? I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here, but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way. Land? Land is a ship too big for me. It’s a woman too beautiful; it’s a voyage too long, a perfume too strong. It’s a music I don’t know how to make. I could never get off this ship. At best, I can step off my life. After all, I don’t exist for anyone. You’re an exception, Max, you’re the only one who knows I’m here. You’re a minority, and you better get used to it. Forgive me, my friend, but I’m not getting off. This is the way the world ends Not with a bang but a whimper ——T·S·Eliot 所有那些城市，你就是无法看见尽头。尽头？拜托！拜托你给我看它的尽头在哪？当时，站在舷梯向外看还好。我那时穿着大衣，感觉也很棒，觉得自己前途无量，然后我就要下船去。放心！完全没问题！可是，阻止了我的脚步的，并不是我所看见的东西，而是我所无法看见的那些东西。你明白么？我看不见的那些。在那个无限蔓延的城市里，什么东西都有，可惟独没有尽头。根本就没有尽头。我看不见的是这一切的尽头，世界的尽头。 拿一部钢琴来说，从琴键开始，又结束。你知道钢琴只有88个键，随便什么琴都没差。它们不是无限的。你才是无限的，在琴键上制作出的音乐是无限的。我喜欢这样，我活的惯。 你把我推到舷梯上然后扔给我一架有百万琴键的钢琴，百万千万的没有尽头的琴键，那是事实，max，它们没有尽头。那键盘是无限延伸的。然而如果琴键是无限的，那么在那架琴上就没有你能弹奏的音乐，你坐错了地方，那是上帝的钢琴。 -------------------------------------------------------------------------------- 2 海上钢琴师 经典台词 天啊！你……你看过那些街道吗？仅仅是街道，就有上千条！你下去该怎么办？你怎么选择其中一条来走？怎么选择“属于你自己的”一个女人，一栋房子，一块地，或者选择一道风景欣赏，选择一种方法死去。 那个世界好重，压在我身上。你甚至不知道它在哪里结束，你难道从来不为自己生活在无穷选择里而害怕得快崩溃掉吗？ 我是在这艘船上出生的，整个世界跟我并肩而行，但是，行走一次只携带两千人。这里也有欲望，但不会虚妄到超出船头和船尾。你用钢琴表达你的快乐，但音符不是无限的。我已经习惯这么生活。 陆地？陆地对我来说是一艘太大的船，一个太漂亮的女人，一段太长的旅行，一瓶太刺鼻的香水，一种我不会创作的音乐。我永远无法放弃这艘船，不过幸好，我可以放弃我的生命。反正没人记得我存在过，而你是例外，max，你是唯一一个知道我在这里的人。你是唯一一个，而且你最好习惯如此。原谅我，朋友，我不会下船的。 附： 1900: Moonlight city. You just couldn’t see an end to it. It wasn’t what I saw that stopped me ,Max. It was what I didn’t see. Take the piano. Keys begin. Keys end. You know there are 88 of them. They’re not infinite. You’re infinite. And on those keys, the music that you can make is infinite. I like that. That I can live by. But you get me up on that gangway, and you roll them out in front of me. Keyboards have millions and billions of keys that never end. That keyboard is infinite. Then on that keyboard there’s no music you can play. That’s God’s piano. Did you see the streets? There’re thousands of them. How do you choose just one? One woman, one house, one way to die……. You don’t even know where it comes to an end. Aren’t you ever just scared of breaking apart with the thought of it? I was born on this ship. And the world passed me by. But 2000 people at a time and there’re old wishes here . But nevermore that fit between prow and stern.. You played out your happiness bit on a piano that was not infinite. I learned to live that way. Land? Land is a ship too big for me, It’s a woman too beautiful, a bridge too long, perfume to strong, music I don’t know how to play. I can never get off this ship. At best, I didn’t step off my life. After all, I don’t exist for anyone. 译文： 偌大的城市，绵延无尽。 并非是我眼见的让我停住了脚步， 而是我所看不见的。你能明白吗？ 拿钢琴来说。 键盘有始亦有终。 你确切地知道88个键就在那儿，错不了。 它们并不是无限的，而你，才是无限的。你能在键盘上表现的音乐是无限的。 我喜欢这样，我能轻松应付。 而你现在让我走过跳板，走到城市里， 等着我的是一个没有尽头的键盘。 我又怎能在这样的键盘上弹奏呢？ 那是上帝的键盘啊！ 你看到那数不清的街道吗？ 如何只选择其中一条去走？ 一个共渡一生的女人，一幢属于自己的屋子，一种生与死的方式~~~~ 你甚至不知道什么时候才是尽头。 一想到这个，难道不会害怕、会崩溃吗？ 我在这艘船上出生。 世事千变万化，然这艘船每次只载2000人。 这里有着希望，但仅在船头和船尾之间。 你可以在有限的钢琴上奏出你的欢欣快乐。 我习惯了这样的生活。 陆地？ 陆地对我来说是一艘太大的船，
大家好，我是戴锦华，在电影当中，你可以找到这个世界上正在发生的，和可能发生的一切，你可以找到最高深、最玄妙的思考，和最形而下的追求、娱乐和梦想。今天我们来聊一聊 《海上钢琴师》这部经典电影，我们该从什么角度去评价。
前面讲到了《海上钢琴师》中世纪回眸式的姿态，同时讲述了它选择把回眸的目光聚焦在一座浮城，一个飞地之上，聚焦在一个对于社会来说子虚乌有的而且未经任何现实主义交代的音乐天才和钢琴王子身上，讲述了一个非常精彩和奇妙的故事。
从另一个角度上看，这个世纪回眸的影片，首先是一个故事，它用一个精彩的故事及其精彩的讲述，来作为最重要的电影的被述事件。换一个说法，与其说它是讲述了 1900 的个人传记，不如说它是借助 1900 这个几乎不存在的人物，来向我们讲述了一个精彩的故事，向我们展现了何为好故事。
为此影片当中包含了两个基本的时间线索，一个基本的时间线索是所谓现在进行时，应该是战后，50 年代，而且历史上存在的维吉尼亚号是在 1954 年被毁掉的，所以这大致是一个战争已经结束，战后的全球激变尚未全面启动的一个历史的空窗期，一个间息的时刻。这个时刻， 1900 的故事落下了帷幕，而影片的故事也就在此终结。现实的时间线是从显然已经极端落魄的马克斯，号手康恩牌，被迫为了生存，要卖掉自己心爱的小号开始，于是也可以说现在时起始于那个古董乐器行。一个仿佛从查尔斯·狄更斯的小说里走出来的一个神奇的老人家，一个懂音乐，爱音乐的老爹，正是这个古董乐器小店的执掌者。
整个故事固然发生在马克斯向不同的人物讲述 1900 ，说服他们相信在那个废墟、坟墓、幽灵船一般的维吉尼亚号上还有一个活着的生命，包括在古董乐器行当中，马克斯和老爹面面相对地讲故事。而且我们看到马克斯显然是一个高明的说书人，他大量地使用说书的技巧。其中一个很有趣的噱头是关于墙上的一副画怎么会突然掉下来，然后他不断地使用象声词「嘭」、「嘣」，来形成对好听众的震惊、吸引和惊吓效果，所以当我们说这部电影是一个关于讲故事的电影的时候，我们会说电影也因此具有了某种清晰的后现代的元叙事特征。
经典电影《海上钢琴师》原著小说作者: （意）亚历山德罗?巴里科