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莎士比亚经典语录问题英文版

莎士比亚经典语录问题英文版这篇内容是经过特别精心的整理的,这篇经典语录的内容相关性较强,所以,如果您想要看看莎士比亚经典语录问题英文版的话,这一篇莎士比亚经典语录问题英文版应该是您需要的。



莎士比亚经典语录问题英文版



爱情是悬崖边上的一朵花,当你想去摘它的时候,就应该想到为了它可能会摔得粉身碎骨!
这句经典

莎士比亚经典语句问题英文版



莎士比亚:人们可支配自己的命运,若我们受制余人 那错不在命运,而在我们
莎士比亚:To be or not to be .That is a question
亚瑟王: 女人啊女人,容貌和知识择其一吧.两者俱得两者俱失,都是悲剧收场...你应该是后者.
亚瑟王 :虚有其表的女人, 就象金环戴在猪鼻上, 哎, 可怜 !
亚瑟王 :女人啊女人! 男人的舞台, 你们永远是站在光圈和掌声之外的 !
泰戈尔:可能问不可能:你住在什么地方?不可能回答说:在那无能为力的梦境。
莎士比亚:不要和意志坚定的人争辩,因为他们可以改变事实.
亚瑟王:掩盖事实真相的让步,只会让人远离真理!
莎士比亚说:成功的骗子, 不必再说谎以求生, 因为被骗的人,全成为他的拥护者 ,我再说什么也是枉然 !
亚瑟王:目眩时更要旋转,自己痛不欲生的悲伤,以别人的悲伤,就能够治愈!
亚瑟王:有怀疑就有真理,因为真理是怀疑的影子.
亚里士多德说:心智的暴力,可以不流血即取人命!
如果地狱的孽火能在一个中年妇人的骨髓里煽起了蠢动, 那么在青春的烈焰中,让贞操象蜡一样地融化了吧... ...
人生不过是一个行走的影子,一个在舞台上高谈阔步的可怜演员.无声无息的退下.这只是一个傻子说的故事,充满的喧哗和骚动.却无意义.

生存还是毁灭。这是哈姆雷特里最经典的台词。

  哈姆雷特经典台词(中英文)!!!
  Hamlet
  SCENE I. Elsinore. The Castle
  [Enter Hamlet.]
  Hamlet:To be, or not to be- that is the question:
  Whether 'tis nobler in the mind to suffer
  The slings and arrows of outrageous fortune
  Or to take arms against a sea of troubles,
  And by opposing end them. To die- to sleep-
  No more; and by a sleep to say we end
  The heartache, and the thousand natural shocks
  That flesh is heir to. 'Tis a consummation
  Devoutly to be wish'd. To die- to sleep.
  To sleep- perchance to dream: ay, there's the rub!
  For in that sleep of death what dreams may come
  When we have shuffled off this mortal coil,
  Must give us pause. There's the respect
  That makes calamity of so long life.
  For who would bear the whips and scorns of time,
  Th' oppressor's wrong, the proud man's contumely,
  The pangs of despis'd love, the law's delay,
  The insolence of office, and the spurns
  That patient merit of th' unworthy takes,
  When he himself might his quietus make
  With a bare bodkin? Who would these fardels bear,
  To grunt and sweat under a weary life,
  But that the dread of something after death-
  The undiscover'd country, from whose bourn
  No traveller returns- puzzles the will,
  And makes us rather bear those ills we have
  Than fly to others that we know not of?
  Thus conscience does make cowards of us all,
  And thus the native hue of resolution
  Is sicklied o'er with the pale cast of thought,
  And enterprises of great pith and moment
  With this regard their currents turn awry
  And lose the name of action.
  哈: {自言自语}
  生存或毁灭, 这是个必答之问题:
  是否应默默的忍受坎苛命运之无情打击,
  还是应与深如大海之无涯苦难奋然为敌,
  并将其克服。
  此二抉择, 就竟是哪个较崇高?
  死即睡眠, 它不过如此!
  倘若一眠能了结心灵之苦楚与肉体之百患,
  那么, 此结局是可盼的!
  死去, 睡去...
  但在睡眠中可能有梦, 啊, 这就是个阻碍:
  当我们摆脱了此垂死之皮囊,
  在死之长眠中会有何梦来临?
  它令我们踌躇,
  使我们心甘情愿的承受长年之灾,
  否则谁肯容忍人间之百般折磨,
  如暴君之政、骄者之傲、失恋之痛、法章之慢、贪官之侮、或庸民之辱,
  假如他能简单的一刃了之?
  还有谁会肯去做牛做马, 终生疲於操劳,
  默默的忍受其苦其难, 而不远走高飞, 飘於渺茫之境,
  倘若他不是因恐惧身后之事而使他犹豫不前?
  此境乃无人知晓之邦, 自古无返者。

谈起世界经典文学,就不得不提到一个殿堂级的人物——莎士比亚。文艺复兴时期,莎士比亚就一直稳坐在文学殿堂的王座上睥睨众生,连德国诗人歌德也认为莎士比亚是他的灵魂导师。

歌德在论莎士比亚时指出:“使莎士比亚伟大的心灵感到兴趣的,是我们这世界内的事物:因为虽然像预言、疯癫、梦魇、预感、异兆、仙女和精灵、鬼魂、妖异和魔法师等这种魔术的因素,在适当的时候也穿插在他的诗篇中。可是这些虚幻形象并不是他著作中的主要成分,作为这些著作的伟大基础的是他生活的真实和精悍,因此,来自他手下的一切东西,都显得那么纯真和结实。”

莎士比亚笔下的戏剧故事,不仅个个惊心动魄、跌宕起伏,而且文辞华美,充满了哲理意蕴,读来简直就是一种享受。

而对于现在的人来说,阅读莎士比亚的作品,不仅能增长智慧、培养共情心理和正义感,更可以提高文学素养,练就生动而睿智的说话逻辑,还能积累丰富的词汇,有效提升阅读和写作能力……

下面精选几则莎士比亚的经典语录:

①Everything in the world is always more interested in pursuing time than in enjoying it. When a newly launched ship sailed out of the harbor, how like a charming teenager, caressing and embracing the frivolous wind! But when it came back, the hull had been eroded by the wind, and the sail had turned into a snail. How like a downcast prodigal son, it bullied the frivolous breeze wantonly! 《The Merchant of Venice》

世间的任何事物,追求时候的兴致总要比享用时候的兴致浓烈。一艘新下水的船只扬帆出港的当儿,多么像一个娇养的少年,给那轻狂的风儿爱抚搂抱!可是等到它回来的时候,船身已遭风日的侵蚀,船帆也变成了百结的破衲,它又多么像一个落魄的浪子,给那轻狂的风儿肆意欺凌! 《威尼斯商人》

②Watching the coast before drowning is twice as miserable as dying; starving when there is food in front of you will make you ten times more anxious; seeing the plaster for wounds will make the wounds more painful; and soothing things will make the sorrow reach its peak. 《Lucrece's Disgrace》

望见了海岸才溺死,是死得双倍凄惨;眼前有食物却挨饿,会饿得十倍焦烦;看到了敷伤的膏药,伤口更疼痛不堪;能宽慰悲哀的事物,使悲哀升到顶点。 《鲁克丽丝受辱记》

③A set of beautiful words is just a folk song. A good leg will fall down; a straight back will bend down; a black beard will turn white; curly hair will turn bald; a beautiful face will dry; a pair of round eyes will fall down - but a sincere heart, Katie, is the sun, is the moon - or rather, the sun, not the moon; because the sun is bright, and there is no gain or loss round. The lack of change, but consistency, keep its zodiac. 《Henry V》

一套娓娓动听的话只是一首山歌。一条好腿会倒下去;一个挺直的背会弯下去;一丛黑胡子会变白;满头卷发会变秃;一张漂亮的脸蛋会干瘪;一对圆圆的眼睛会陷落下去——可是一颗真诚的心哪,凯蒂,是太阳,是月亮——或者还不如说,是太阳,不是那月亮;因为太阳光明灿烂,从没有盈亏圆缺的变化,而是始终如一,守信它的黄道。 《亨利五世》

④Love, with the blood of the whole body, like thought, quickly passes through all organs and limbs, making every organ play double efficiency. It makes the eyes more bright, the light in the eyes of the lover can make the eagle dazzling; the ears of the lover can hear the most subtle sound, any sneaky intrigue can not escape his perception; the feelings of the lover are more subtle than the tentacles of the shell snail. Sensitivity; the tongue of a lover dulls Bacchus, a discerning Greek God of wine. 《The Futility of Love》

爱情,它会随着全身的血液,象思想一般迅速通过了百官四肢,使每一个器官发挥双倍的效能,它使眼睛增加一重明亮,恋人眼中的光芒可以使猛鹰眩目;恋人的耳朵听得出最微细的声音,任何鬼祟的奸谋都逃不过他的知觉;恋人的感觉比戴壳蜗牛的触角还要微妙灵敏;恋人的舌头使善于辨味的巴邱斯(希腊酒神)显得迟钝。 《爱的徒劳》

⑤A man's dying words, like deep music, have a natural attraction; when he is dying, his words will never be wasted, because truth is often uttered in bitter groans. A man who never speaks again after that is always better listened to than the delicate rhetoric of the teenagers. Just as the evening sunset, the final afterplay and the last sip of wine leave the warmest memories, a person's ending is always more noticeable than everything he ever had before. 《Richard II》

一个人的临死遗言,就象深沉的音乐一般,有一种自然吸引注意的力量;到了奄奄一息的时候,他的话决不会白费,因为真理往往是在痛苦呻呤中说出来的。一个从此以后不再说话的人,他的意见总是比那些少年浮华之徒的甘言巧辩更能被人听取。正象垂暮的斜阳、曲终的余奏和最后一口啜下的美酒留给人们最温馨的回忆一样,一个人的结局也总是比他生前的一切格外受人注目。 《理查二世》

⑥Morality and talent are far superior to wealth; the descendants of corruption can corrupt the noble family and destroy the wealth of great wealth, but morality and talent can make a mortal immortal god. 《Prince Tell's Parity Chris》

道德和才艺是远胜于富贵的资产;堕落的子孙可以把贵显的门第败坏,把巨富的财产荡毁,可是道德和才艺,却可以使一个凡人成为不朽的神明。《泰尔亲王配力克里斯》

⑦Habit can be a devil who makes people lose their shame, but it can also be an angel. For those who try hard to do good, it will use subtle means to make him migrate from evil to good. 《Hamlet》

习惯虽然可以是一个使人失去羞耻的魔鬼,但是它也可以做一个天使,对于勉力为善的人,它会用潜移默化的手段,使他徙恶从善。 《哈姆莱特》

⑧A flaw in the heart is a real foul; a ruthless person is a disabled person. Good is beauty, but beautiful evil is the spade of the devil's carving. 《Twelfth Night》

心上的瑕疵是真的垢污;无情的人才是残废之徒。善即是美;但美丽的奸恶,是魔鬼雕就文彩的空椟。 《第十二夜》

莎士比亚善于在内外两重的矛盾冲突中,在矛盾冲突的发展过程中,展示人物性格,塑有血有肉的艺术形象。哈姆莱特与克劳狄的斗争,构成剧中主人公所处的外部冲突;与此同时,他还进行着激烈的内心矛盾冲突。二者相辅相成互相推进。

生存还是毁灭,这是一个值得考虑的问题!
Survival or destruction, and this is a question worth pondering!

经典台词是:活着还是毁灭。

你读的是中文版还是英文版?

英文版的话,你是否知道抑扬格?是否看过比较流畅的外国版?

绕弯子,我觉得不。虽然莎翁的语言风格不“现实主义”,但舞台展现至今富有意义。

具体的魅力,我会希望作者能自己去体会一下。

中文版的话,这个问题蛮无解。格律和意义的准确目前无法兼顾。

我不知道你的答案,但我知道老莎说过一句超愤慨的话。“女人,你的名字叫脆弱!”我扁啊~~

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